TV: The Chair Company (Season 1)
Initially, the buzz around Tim Robinson’s The Chair Company didn’t lure me; given my prickly […]
Initially, the buzz around Tim Robinson’s The Chair Company didn’t lure me; given my prickly […]
Task is outwardly unassuming and not particularly high concept, but writer/creator Brad Ingelsby — who
Given the numerous flips and tumbles it executes during its ten-episode routine, it’s unsurprising that
Eat-the-rich TV is everywhere these days; how weird to find it on Amazon Prime, but
Michael Schur’s A Man on the Inside didn’t look like a series built to last,
Peacock’s new period spy drama Ponies isn’t exactly convincing, so won’t be a perfect fit
Those still grieving the end of Sterling Harjo’s Reservation Dogs can take more than just
Add Girls5eva to the list of overlooked shows that deserved more eyes on it. This
Full disclosure: I couldn’t have been more predisposed toward Pluribus, Vince Gilligan’s first new project
Sally Wainwright’s remarkable crime drama Happy Valley must have fallen through a time warp. Finally
AMC’s Pantheon is a classy, unusual project that brings prestige TV pacing to smart, animated
To say Mick Herron is having a moment would be to ignore the past few
I fell down the rabbit hole hard while binging the first two seasons of Alice
Given the consistently superior quality of its previous sessions, the latest season of Slow Horses
Having no emotional stake in the DC Extended Universe, I wasn’t expecting much from James
Peacock’s The Day of the Jackal has the polished look and feel of prestige TV,
Showrunner Justin Spitzer already has a solid track record for workplace sitcoms, and his latest
With a grungy animated aesthetic that fuses King of the Hill with Scavengers Reign, Common
One can understand Peacock’s desire to throw weight behind The Paper, a quasi-sequel to The