TV: The Haunting of Hill House
Based on the deeply impressive Midnight Mass, I went into Mike Flanagan’s earlier limited series The Haunting of Hill House (2018) with high expectations, bolstered by lingering media buzz proclaiming it …
Film: The Invisible Man
Glaring structural predictability can be a severe drawback in cinema, but The Invisible Man (2020)—which for much of its length is profoundly predictable—still manages to work pretty well. Vaguely derived …